Six decades' worth of incisive, whimsical, evocative Elliott Erwitt photographs: How did ICP narrow them down into a tight but comprehensive exhibition? It let Erwitt, one of the most versatile photojournalists of the twentieth century, decide for himself. For "Personal Best," the Magnum photographer hand-picked stark civil-rights-era images, portraits of Marilyn and Che, a 1950 shot of a youngster with his toy gun, and a sixties family portrait complete with beehived matriarch. The show closes this week, so get in one final summer rendezvous with the smooching couple above while you still can.
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